Audio Editing and Post-Production

My approach to audio editing and post-production will ensure the delivery of a clean and immersive sound that enhances storytelling and enhances the project’s overall quality. From dialogue clarity to detailed sound design, I focus on every sonic element to make sure the final mix is as cohesive as it is professional. Whether you’re working on a film, video, podcast, or any other form of digital media, I combine technical precision with creative problem-solving to produce audio that supports the message, mood, and pacing of the visuals.

My audio editing and post-production process can include the following:

  • Dialogue editing, cleanup, and restoration.

  • Noise reduction and audio repair.

  • Audio synchronization and timing adjustments.

  • Final mixing for film, video, and digital platforms.

  • A delivery that’s optimized for broadcast, web, and streaming formats.

If you have any questions, concerns, or would like more information, feel free to reach out to me.

Frequently Asked Questions

  • While I don’t do sound design per se, I have the skills, experience, and equipment to edit dialogue and sound effects (in addition to the music). Having clean dialogue is the most important element of any film, TV show, or podcast (at least in terms of audio). Not only is it the first thing that the audience will pay attention to, but it will also set the timing for the music and sound effects.

    These audio elements will be mixed as separate and interdependent layers or stems, with each one being at different levels to make sure that one doesn’t overpower the other. The goal is to create a balanced experience for the audience.

  • While it isn’t always a “slam dunk,” noisy or poorly recorded audio can often be improved with the use of specialized software or tools. Some of the common techniques for cleaning up noisy audio include the following:

    • Applying plugins that are designed to reduce noise.

    • Using EQs to remove any unwanted frequencies.

    • Setting noise gates to silence any background noise.

    • Using de-clickers to remove clicks.

    It’s important not to over-process, because too much noise reduction can make the audio sound like it’s “underwater” or metallic. The best strategy is to keep the noise from being there in the first place.

  • Audio editing and post-production can involve editing, arranging, and enhancing audio for a variety of media projects (including films, TV shows, and games). The techniques can also be used in podcasts and radio shows, as well as commercials and voiceover projects.

  • Depending on the project, audio can be synchronized to timecode or through any other method. It can also be delivered as stems for easier placement into a larger session.

  • While some phases of the project may require an in-person meeting or session, most collaborative work with video editors, producers, and directors can be done remotely through the use of cloud technology and high-speed internet. Video conferencing tools (such as Zoom) will allow directors to review edits in real-time. Other platforms (such as Slack) can also be used to facilitate communication between various team members.